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Day 1 - 25th of May 2015 |
| S01 |
Historical and technical sources on gilding materials and techniques |
| 08:30-09:00 |
REGISTRATION |
| 09:00-10:00 |
WELCOME |
| 10:00-10:30 |
Celso Mangucci - A Dispute Between Painters of Évora In 1729
|
| 10:50-11:10 |
Srebrenka Bogovic - Gold and not so real gold in Medieval recipes
|
| 10:50-11:10 |
Patricia Monteiro - Painting With Gold: Gilders In Northern Alentejo During 17TH And 18TH Centuries
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|
COFFEE BREAK + POSTER SESSION |
| 11:40-12:00 |
Anisoara Munteanu - New researches on materials used in the painting of icons on glass in Transylvania in the Nineteenth Century
|
| 12:00-12:20 |
Tiago Dias - "All That Glitters Is Not Gold". Silver Leaf Gilding, Another Mean To An End
|
| 12:20-12:50 |
Silvia Ferreira - Gilding, "estofing" and painting: the artistic polyvalence of the gilders masters in Lisbon during the Baroque époque
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|
LUNCH |
| 14:30-14:50 |
Belen Ruiz Ruiz - Gold ornaments as elements of social prestige in the iberian culture
|
| 14:50-15:10 |
Maria Oliveira - Gilding Materials And Techniques - Comparison Between Altarpieces and Their Sculptures: A Case Study
|
| 15:10-15:30 |
Tess Graafland - Original Gilding on Nineteenth-Century Composition Frames. Research on Historical Gilding Techniques
|
| 15:30-15:50 |
Custódia Araujo - The Gilders In The Golden Period Of The City Of Évora
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|
COFFEE BREAK + POSTER SESSION |
| S02 |
Conservation State Assessment and conservation-restoration studies on gilded artefacts |
| 16:20-16:50 |
Mariella Lobefaro - Post-Byzantine gilding materials and techniques: an integrated approach to their study and conservation state assessment
|
| 16:50-17:10 |
Cynthia de Giorgio - GOLDEN GLORY - Gilded Surfaces Restoration at St John's co-Cathedral and its Challenges
|
| 17:10-17:30 |
Marius Munteanu - The conservation state of two gilded wood icons from the XVIII-th century |
|
Site visit and Reception at the Palace of Dom Manuel, Évora |
|
Day 2 - 26th of May |
| 09:00-09:30 |
Conceição Ribeiro - Gilded surfaces and the knowledge of their techniques. reflections about conservation practice and chromatic reintegration |
| 09:30-09:50 |
Martina Vuga & Miladi Makuc - Typical Conservation Problems of Polychrome Wooden Sculpture In Slovenia |
| 09:50-10:10 |
Elsa Murta - The Use of Wax-Resin in Conservation: Was it a good methodology in the case of St. Joseph Sculpture conservation? |
| 10:10-10:30 |
Sara Goidanich - Innovative Method for the Monitoring of Indoor Gilded Bronzes |
| 10:30-10:50 |
José Silva - Wood Sampling for Species Identification in Gilded and Polychrome Works of Art. Limits and Solutions |
| S03 |
Multiscale and multidisciplinary analytical studies on gilded artefacts |
| 10:50-11:20 |
Mauro Matteini - Gilding techniques in ancient painted and metal artefacts |
|
COFFEE BREAK + POSTER SESSION |
| 11:40-12:00 |
Stepanka Kuckova Hrdlickova - Proteomics Tools For The Contemporary Identification of Proteinaceous Binders In Gilded Samples |
| 12:00-12:20 |
Maria Rosa Lanfranchi - Gold Leaf and Metal Lamina. Angolo Gaddi, Basilica of Santa Croce, Florence |
| 12:20-12:40 |
Carolina Barata - Gilding Materials of Erudite And Popular Retables From The Baroque In Oporto Diocese |
| 12:40-13:00 |
Maria Robador - The Prduction Technology of Gilded Artifacts found in Seville City Monuments |
| 13:00-13:20 |
Irina Sandu - A Comparative Multi-Technique Investigation Between Material Identification of Gilding Layers and The Conservation State of 7 Portuguese Mannerist Altarpieces |
|
LUNCH |
| 14:30-14:50 |
Marta Ubierna - A History of Colour: Reconstructing The Polychromy and Gilt of The Portal of Glory |
| 14:50-15:20 |
Elsa Murta & António Candeias - Late renaissance gilding. One case study: altarpiece of Funchal's Cathedral |
| 15:20-15:40 |
Milene Gil - "Ouro Sobre Azul": Two Cases Studies of Gildings In Évora City (Southern Portugal) |
|
COFFEE BREAK + POSTER SESSION |
| 16:00-16:20 |
Orlando Martinez Zapata - IBA Analysis For The Study of Gold From Wooden Polychromed Sculpture |
| 16:20-16:40 |
Kidane Gebremariam - Multi-Technique Comparative Studies on Gilding Materials and Methods In Medieval Altarpieces of Same Provenance From Vardø And Horg Churches, Norway |
| 16:40-17:00 |
Anna Lluveras - The use of double metallic leaves in the European tradition: from wall to panel paintings |
| 16:70-17:20 |
Monica Simileanu - LIBS stratigraphy investigations on thin multilayer CH objects |
| S04 |
From the Historical Sources to the Reproduction of Gilding Recipes in the Laboratory |
| 17:20-17:50 |
Pedro Flor - On gilding Renaissance sculpture in Portugal in 16th century: the case of Nicolas Chanterenne (act. 1511-1554) |
|
SITE VISIT AND SOCIAL DINNER |
|
Day 3 - 27th of May |
| 09:00-09:20 |
Marc Aucouturier - New Leaf Gilding Alloys: Physico-Chemistry, Color, Mechanical Behavior |
| 09:20-09:40 |
Leonor Ferrão - To burnish or not to burnish? Comparing a burnished smalt coating with a burnished gilding |
| 09:40-10:00 |
Caroline Rae - "The work of God and not of man," gilding and the English Renaissance portrait |
| 10:00-10:30 |
Agnes Le Gac - For Leveling, Polishing and Burnishing Polychrome Artworks Between The 16th And 18th Centuries, In Portugal: Tools Under Scrutiny |
| 10:30-10:50 |
Amandine Crabbé - De Colorando Auro: From Medieval Colouration Techniques To Modern Analytical Techniques |
| 10:50-11:10 |
Manuel Costa Pereira - Micro-CT Applications to Documented reconstructions of gilded composites |
|
COFFEE BREAK + POSTER SESSION |
| 11:30-12:00 |
Elsa Murta - Historical Reconstructions of Gilded Composites - A Multimedia Approach To Materials, Techniques And Their Investigation |
| 12:00-12:20 |
Francesca Paba - Two Recipes From Portuguese Tradition Of Gilding On Wooden Support Between Laboratory Reproduction And Analytical Investigation |
| S05 |
Gilding materials and techniques between Europe and Overseas countries |
| 12:20-12:50 |
Luiz Souza - Gilding and polychrome in wooden polychrome sculptures and altarpieces in colonial Minas Gerais, Brazil: a Wonderful Material World yet to be thoroughly Studied, Preserved and Understood |
| 12:50-13:10 |
Agnes Le Gac - Applied Brocade Techniques and Influence of the Flemish Art in the Sculpture of the Convent of Christ in Tomar, Portugal |
|
LUNCH |
| 14:30-15:10 |
Helen Hughes - The use of Shell Gold: The Earliest Surviving Example of Jacobean Chinoiserie |
| 14:50-15:20 |
Carlos Nodal - The Gothic polychromy in the North-East of Spain: decorative repertoires and techniques |
| 15:20-15:40 |
Maria Oliveira & Teresa Crespo - Material Characterization of Gilding and Painting Techniques of A Post-Byzantine Icon: A Work-In-Progress Case Study |
| S06 |
OUTREACH and dissemination strategies |
| 15:40-16:10 |
Irina Sandu - Gilt-Teller: a novel multimedia Outreach tool in Conservation and Heritage Science |
| 16:10-16:30 |
Catarina Pereira - History, Science and Digital Restoration - Recovering The Past - The Main-Altarpiece of The Espírito Santo Church, Évora |
|
COFFEE BREAK |
| 17:00-18:00 |
Forward look session and poster contest awards |
