PROGRAM

Final Version

Day 1 - 25th of May 2015
S01 Historical and technical sources on gilding materials and techniques
08:30-09:00 REGISTRATION
09:00-10:00 WELCOME
10:00-10:30 Celso Mangucci - A Dispute Between Painters of Évora In 1729
10:50-11:10 Srebrenka Bogovic - Gold and not so real gold in Medieval recipes
10:50-11:10 Patricia Monteiro - Painting With Gold: Gilders In Northern Alentejo During 17TH And 18TH Centuries
COFFEE BREAK + POSTER SESSION
11:40-12:00 Anisoara Munteanu - New researches on materials used in the painting of icons on glass in Transylvania in the Nineteenth Century
12:00-12:20 Tiago Dias - "All That Glitters Is Not Gold". Silver Leaf Gilding, Another Mean To An End
12:20-12:50 Silvia Ferreira - Gilding, "estofing" and painting: the artistic polyvalence of the gilders masters in Lisbon during the Baroque époque
LUNCH
14:30-14:50 Belen Ruiz Ruiz - Gold ornaments as elements of social prestige in the iberian culture
14:50-15:10 Maria Oliveira - Gilding Materials And Techniques - Comparison Between Altarpieces and Their Sculptures: A Case Study
15:10-15:30 Tess Graafland - Original Gilding on Nineteenth-Century Composition Frames. Research on Historical Gilding Techniques
15:30-15:50 Custódia Araujo - The Gilders In The Golden Period Of The City Of Évora
COFFEE BREAK + POSTER SESSION
S02 Conservation State Assessment and conservation-restoration studies on gilded artefacts
16:20-16:50 Mariella Lobefaro - Post-Byzantine gilding materials and techniques: an integrated approach to their study and conservation state assessment
16:50-17:10 Cynthia de Giorgio - GOLDEN GLORY - Gilded Surfaces Restoration at St John's co-Cathedral and its Challenges
17:10-17:30 Marius Munteanu - The conservation state of two gilded wood icons from the XVIII-th century
Site visit and Reception at the Palace of Dom Manuel, Évora
Day 2 - 26th of May
09:00-09:30 Conceição Ribeiro - Gilded surfaces and the knowledge of their techniques. reflections about conservation practice and chromatic reintegration
09:30-09:50 Martina Vuga & Miladi Makuc - Typical Conservation Problems of Polychrome Wooden Sculpture In Slovenia
09:50-10:10 Elsa Murta - The Use of Wax-Resin in Conservation: Was it a good methodology in the case of St. Joseph Sculpture conservation?
10:10-10:30 Sara Goidanich - Innovative Method for the Monitoring of Indoor Gilded Bronzes
10:30-10:50 José Silva - Wood Sampling for Species Identification in Gilded and Polychrome Works of Art. Limits and Solutions
S03 Multiscale and multidisciplinary analytical studies on gilded artefacts
10:50-11:20 Mauro Matteini - Gilding techniques in ancient painted and metal artefacts
COFFEE BREAK + POSTER SESSION
11:40-12:00 Stepanka Kuckova Hrdlickova - Proteomics Tools For The Contemporary Identification of Proteinaceous Binders In Gilded Samples
12:00-12:20 Maria Rosa Lanfranchi - Gold Leaf and Metal Lamina. Angolo Gaddi, Basilica of Santa Croce, Florence
12:20-12:40 Carolina Barata - Gilding Materials of Erudite And Popular Retables From The Baroque In Oporto Diocese
12:40-13:00 Maria Robador - The Prduction Technology of Gilded Artifacts found in Seville City Monuments
13:00-13:20 Irina Sandu - A Comparative Multi-Technique Investigation Between Material Identification of Gilding Layers and The Conservation State of 7 Portuguese Mannerist Altarpieces
LUNCH
14:30-14:50 Marta Ubierna - A History of Colour: Reconstructing The Polychromy and Gilt of The Portal of Glory
14:50-15:20 Elsa Murta & António Candeias - Late renaissance gilding. One case study: altarpiece of Funchal's Cathedral
15:20-15:40 Milene Gil - "Ouro Sobre Azul": Two Cases Studies of Gildings In Évora City (Southern Portugal)
COFFEE BREAK + POSTER SESSION
16:00-16:20 Orlando Martinez Zapata - IBA Analysis For The Study of Gold From Wooden Polychromed Sculpture
16:20-16:40 Kidane Gebremariam - Multi-Technique Comparative Studies on Gilding Materials and Methods In Medieval Altarpieces of Same Provenance From Vardø And Horg Churches, Norway
16:40-17:00 Anna Lluveras - The use of double metallic leaves in the European tradition: from wall to panel paintings
16:70-17:20 Monica Simileanu - LIBS stratigraphy investigations on thin multilayer CH objects
S04 From the Historical Sources to the Reproduction of Gilding Recipes in the Laboratory
17:20-17:50 Pedro Flor - On gilding Renaissance sculpture in Portugal in 16th century: the case of Nicolas Chanterenne (act. 1511-1554)
SITE VISIT AND SOCIAL DINNER
Day 3 - 27th of May
09:00-09:20 Marc Aucouturier - New Leaf Gilding Alloys: Physico-Chemistry, Color, Mechanical Behavior
09:20-09:40 Leonor Ferrão - To burnish or not to burnish? Comparing a burnished smalt coating with a burnished gilding
09:40-10:00 Caroline Rae - "The work of God and not of man," gilding and the English Renaissance portrait
10:00-10:30 Agnes Le Gac - For Leveling, Polishing and Burnishing Polychrome Artworks Between The 16th And 18th Centuries, In Portugal: Tools Under Scrutiny
10:30-10:50 Amandine Crabbé - De Colorando Auro: From Medieval Colouration Techniques To Modern Analytical Techniques
10:50-11:10 Manuel Costa Pereira - Micro-CT Applications to Documented reconstructions of gilded composites
COFFEE BREAK + POSTER SESSION
11:30-12:00 Elsa Murta - Historical Reconstructions of Gilded Composites - A Multimedia Approach To Materials, Techniques And Their Investigation
12:00-12:20 Francesca Paba - Two Recipes From Portuguese Tradition Of Gilding On Wooden Support Between Laboratory Reproduction And Analytical Investigation
S05 Gilding materials and techniques between Europe and Overseas countries
12:20-12:50 Luiz Souza - Gilding and polychrome in wooden polychrome sculptures and altarpieces in colonial Minas Gerais, Brazil: a Wonderful Material World yet to be thoroughly Studied, Preserved and Understood
12:50-13:10 Agnes Le Gac - Applied Brocade Techniques and Influence of the Flemish Art in the Sculpture of the Convent of Christ in Tomar, Portugal
LUNCH
14:30-15:10 Helen Hughes - The use of Shell Gold: The Earliest Surviving Example of Jacobean Chinoiserie
14:50-15:20 Carlos Nodal - The Gothic polychromy in the North-East of Spain: decorative repertoires and techniques
15:20-15:40 Maria Oliveira & Teresa Crespo - Material Characterization of Gilding and Painting Techniques of A Post-Byzantine Icon: A Work-In-Progress Case Study
S06 OUTREACH and dissemination strategies
15:40-16:10 Irina Sandu - Gilt-Teller: a novel multimedia Outreach tool in Conservation and Heritage Science
16:10-16:30 Catarina Pereira - History, Science and Digital Restoration - Recovering The Past - The Main-Altarpiece of The Espírito Santo Church, Évora
COFFEE BREAK
17:00-18:00 Forward look session and poster contest awards